Tag Archives: Johnlock

Reviews

Review: The Case of the Misplaced Models by Tessa Barding

Improbable Press, recently acquired as an imprint by Clan Destine Press, has released two new books already under the new banner. I’ve reviewed the first – A Question of Time, a collection of 50 short stories with illustrations – and have just finished this new novel by Tessa Barding.

The Case of the Misplaced Models takes place in a contemporary London and is narrated by a John Watson who is fitting back into his old life. He works in a local surgery, keeps fit while keeping an eye on the limitations of his reconstructed let, and has an eye for a hot guy – especially when one shows up outside consulting hours needing a gash in his leg sewn up.

Dr Watson ends up in a flat share with this same enigmatic and attractive man – Sherlock Holmes of course – and before long they are sharing morning runs, simple breakfasts and a frisson of attraction. Yet while John is falling in love, it’s less clear what Sherlock wants. Sex, certainly, but is his heart in the game?

While John gradually becomes involved in Sherlock’s cases, he’s also keeping in sporadic touch with his university friend, the perpetually busy finance broker, Karim Halabi. Halabi’s stumbled across an odd algorithm in the figures he’s modelling – and then one day disaster strikes.

Barding has created a rich, modern life for Holmes and Watson. John’s relationship with Karim is believably deep for all the trouble they have getting their schedules to match up. It’s easy to respond to John’s magnetic attraction and confusion over Sherlock’s feelings and intentions as well.

Holmes is, as always, fascinating. His hard-to-read emotions suggest a troubled past that readers of the original Doyle stories (or viewers of modern interpretations) will recognise as an old drug habit. He’s odd and unpredictable, not always picking up on the social and relationship cues, yet still likeable, as he should be.

Barding’s Sherlock is brilliant and eccentric. His affectionate relationship with his brother Mycroft is a lovely throwback to canon, and his warm working relationship with DI Gwen Lestrade a nod to Conan Doyle’s work describing the DI as being “the best of the professionals”.

A special shout-out goes to Bodie and Doyle, John’s pets in this iteration.

The Case of the Misplaced Models zips along at a great pace, scattered with several cases before Karim’s trouble takes over the focus. The sex scenes are hot, and the emotional growth attached to them satisfying. I’m hoping Tessa Barding will consider bringing more of this John and Sherlock to us!

At the time of writing, Improbable Press is offering a very cool deal. Buy all three of its most recent paperbacks – A Question of Time, A Study in Velvet and Leather and The Case of the Misplaced Models – and you can get another two ebooks from its or Clan Destine’s range – for free. Details are on the Improbable Press website.

Buy The Case of the Misplaced Models

Reviews, Short Stories

Review: A Question of Time by Jamie Ashbird

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Improbable Press, recently acquired by Clan Destine Press, has come of of its new gate with two new books: A Question of Time by Jamie Ashbird, illustrated by Janet Anderton, and The Case of the Misplaced Models by Tessa Barding.

A Question of Time is the third in IP’s 221B series (which began with my own A Dream to Build a Kiss On and then K. Caine’s A Study in Velvet and Leather) and continues the theme of writing Holmes/Watson love stories a succinct 221 words at a time. (The last word of each short story begins with ‘B’, hence the 221B name for the form.)

The Blurb

Sherlock Holmes
whether he’s a grimy student in 1980, a consulting detective in 47BCE, or a smitten neighbour in 1969, will always find his…
John Watson
whether he is a military doctor in 1917, an angry Saxon with an axe in 1086, or a priest in 1603.

A Question of Time is an illustrated journey through the ages told by our heroes, by their friends, and by a scorched manuscript.

This new collection begins with 221 words set in 2085, a bittersweet eulogy for two men who loved each other all their lives, delivered by their child. There is so much love and humour in these words you feel like you’ve known the three of them. The illustration of the twined elm trees is a lovely, evocative symbol of the emotion of this window into their story.

The remaining 49 stories flit about through time, from 19,873 BCE (oh, how heartstrings can be tugged in 221 words about ochred hand paintings!) through the disco years [and two world wars and molly houses and Jack the Ripper’s London] to a lovely two-parter in 2019 where an appreciative and babbling Watson meets a busking Holmes.

Each is a delicious little tale, woven into history yet standing alone as a snippet of a time and place. Huge amounts of personality, delicious wickedness and humour are part of the weave; as are darker moments during the black plague and its 20th century counterpart during the 1980s with the AIDS crisis.

All the cleverness, compassion, giggle-out-loud-at-the-cafe quirks are turned into double delights with Janet Anderton’s illustration: the orchids, bees, coins, singed manuscripts and strange paraphernalia, and glimpses of hands, mouths, eyes in each setting highlighting elements of and adding dimensions to each story.

In short, A Question of Time is small and perfectly formed, the delights of the text enhanced by the charms of the illustrations, and if you like your Holmes and Watson to be in love, no matter where in time they exist, you’ll get 50 little hits of joy.

Buy A Question of Time

Interviews

Quintette of Questions: K. Caine

Today I ask five questions of Holmesian romance writer, K. Caine:

K. Caine

1. What’s the name of your latest book – and how did you choose the title?

The title is A Study in Velvet and Leather– and surprisingly, this is one of the titles that I agonised over the least! The perfect title, for me, is evocative and visual, preferably has more than one meaning, and fits the style of the piece.

Because I was writing canon-era Sherlock for this work, I wanted a title that would evoke that genre. I was re-reading A Study in Scarlet at the time, trying to sink back into the wonder that is moving in with Sherlock Holmes—so that solidified the first half of the title. From there, it was mostly about picking words that were symbolic of the story.

Velvet and leather are two fabrics that represent the two prominent female characters in the book, so A Study in Velvet and Leather it was!

2. If you could choose anyone from any time period, who would you cast as the leads in your latest book?

I didn’t need to think hard about the answers for this one—I already had my reference images downloaded! It’s definitely Tom Hardy for John Watson, with the same quiet feminism that he displayed in Mad Max: Fury Road. He’s got the right build for John, and it’s all too easy to imagine him with the moustache and the period clothing just quietly listening, watching Sherlock and trying to keep up.

And then Tilda Swinton would be my Sherlock Holmes—she’s got the sharp cheekbones, the piercing eyes, and the tendency to menswear that Sherlock shares, and there’s something about the intensity of her presence that’s both really unusual for women, and also very, very fitting for Sherlock as a character.

3. What five words best describe your story?

“Man in love, doesn’t realize.”

4. Who is your favourite fictional couple or team?

The gang from Leverage are everything that a team should be—the entire series is a showcase of exactly how good a found family can be, right from the very first episode. Throughout the series, we get to witness a group of different people with different interests—and sometimes, entirely different plans as to how to go about something—figure out how to work with each other instead of against each other, and how to support each other through tough jobs and the stresses and traumas from life having not been that particularly kind.

That’s the kind of thing I look for in my team or couple dynamics—mutual support, snark and wit, and the gradual developing belief that your team is always going to do their best to have your back, no matter what you’re going through, and even if you aren’t your best self at the time.

5. What song always makes you cry?

Hands down, it’s La Dispute’s Woman (reading). The song is evocative of the wistfulness that marks the majority of the book—that sense that you can be physically close to someone (even, dare I say it, roommates) and still feel as though you are continents apart, and the other person is forever out of your reach.

See the lyrics here.

About A Study in Velvet and Leather

Sharing a flat with Sherlock Holmes should not have posed a problem for John Watson–after all, Watson is gay, Holmes is a woman, and the arrangement is financially convenient. But when Holmes takes a complex case involving Irene Adler and a scandalous photograph, she turns to Watson for assistance.

The case leads them everywhere from the opera to a secret Victorian BDSM club, and Watson soon finds himself questioning his partnership with Holmes, his sexuality, and his understanding of himself.

About K. Caine

K. Caine is a queer writer from the Canadian prairies whose work encompasses multiple genres, including romance, erotica, horror, and speculative fiction. After having taken a decade-long break from writing entirely, K. Caine is back, and is completely engrossed in creating stories characterized by deep points of view, high emotional stakes, and layered foreshadowing.

Armed with a psychology degree, and more stories about glitter in strange places than are really necessary, K. Caine brings themes of feminism, sexuality, gender, non-traditional relationships, and mental illness into stories. A Study in Velvet and Leather is K. Caine’s first published book.

Caine has wild and varied ideas about what comes next, but is currently procrastinating on Twitter.

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Reviews

Review: A Study in Velvet and Leather by K. Caine

The second volume in Improbable Press’s 221b Series (the first was my own A Dream to Build A Kiss On) is the splended A Study in Velvet and Leather, due for release on 1 December 2018. An advance review copy was coaxed into my greedy little fingers, though, and promptly gobbled up.

K. Caine may have written a female Sherlock and male John in a canon-era setting, but  her tale departs wonderfully far from a traditional telling of thie enduring pair.

John Watson, invalided war doctor, is gay. It’s a surprise to find Stamford’s flat-hunting friend is a woman, but she’s an unusual one. Sherlock is a consulting detective, dressing most often in men’s attire and (we later learn) a reader of Sappho. They move into Baker Street together.

John narrates their life together: his increasing involvement in Sherlock’s cases and John recovers his health, along with his fascination for Sherlock’s methods and curiosity about so much that remains secret and unsaid about Sherlock’s life. John also records his bemused yet growing devotion to his astonishing flatmate, recording but not always understanding Sherlock’s response to him.

But as John develops his surprised and secret feelings for this remarkable woman, an undercurrent from Sherlock’s unspoken private life breaks the surface. The case involves “the well known adventuress” Irene Adler, a compromising photograph, and a private club. The meaning of velvet, leather and many of Sherlock’s mysteries will come to light.

One of the many glories of this book – which include engaging characters, the gorgeous flow of the writing and an exploration of the fluidity than can exist in gender and sexuality – is how seamlessly K. Caine uses the 221b ficlet format to tell a single story.

The 16 chapters of the book are subtly separated into 221-word sections, the last word of each section beginning with ‘b’.  This meets the rules of a 221b ficlet, yet is so smoothly done that the reader may not notice it, as the story’s rhythm moves so gracefully.

A Study in Velvet and Leather is one of those delicious books where you can’t decide whether to gulp it down in one go, or sip it slowly to make it last.

I’ve never been a sipper, though – and I was so involved in Sherlock and John’s adventures and feelings, so invested in them too – that I gulped that story down in a few hours one Saturday. The conclusion was both fantastically satisfying and left me yearning for more of these incarnations of Holmes and Watson.

A fabulous bonus to the whole story is the series of Appendices, in the form of notes between the two. I seriuosly can’t get enough of this fluid John and Sherlock. Additionally, the artwork by Avid Branks is sparing and elegant, and contains little clues of its own .

Which makes it doubly awesome that K. Caine is now writing another Improbable Press book with them, Conductivity.

I can’t wait.

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