Some are by the two-man band Duo Ex Machina (comprising the two lead characters, Frank Capriano and Milo Bertolone, who are also boyfriends). Others are by their friend, Gabriella Valli, and yet others are songs on the radio or that are played during Milo’s time as a contestant on an ice dancing show (in DeM 4: Kiss and Cry).
Now, in partnership with Joshua King of Golden Hour Studios, some of those lyrics are becoming actual songs, released on Apple Music, Spotify and other services!
Listen to our first single – Hymn/Him, from Duo Ex Machina 4: Kiss and Cry on:
On the brink of a new year, I’m looking back on 2018 with satisfaction and maybe a smidge of exhaustion. 2019 looks to be just as full of writing challenges and delights!
In case you missed anything, I’ve summarised my writing year below – and teased with some of my upcoming projects for 2019!
Thank you all for your support during the year – 2018 was fraught in many ways, but I hope it brought rewards as well. May 2019 bring you more of what you love, and more of what heals you.
Holmes and Watson in Love
My second Improbable Press Holmes/Watson book came out in June. A Dream to Build a Kiss On is a single story arc told over 100 stories of exactly 221 words each and the last word of each story begins with b. 221b. 🙂 It’s the first of a series of 221b stories for IP. (The second was A Study in Velvet and Leather, which I adore.)
Writing 100 stories in that format, and with a contemporary setting, was a challenge which I enjoyed immensely. I may even take it up again later next year!
Although not yet published, Kitty and Cadaver made an official debut with a song! “The Rain Song” appears about half way through the book. The band Bronze has released it on their EP The Razorback Five Track.
(And yes, one of the songs on the EP is inspired by that Ausploitation horror film, Razorback!)
Here is “Rain Song” – a song about precipitation which is also a spell to make it rain!
I sold a few Holmes and Watson stories during the year: in one, I recast them as contemporary Australian hipsters in “The Problem of the Three Journals“, solving crime and serving excellent coffee, for the Baker Street Irregulars: The Game Is Afoot anthology.
I admit the most fun I had with short fiction this year was my contribution to Grant Me the Carving of My Name, a collection of stories about Richard III edited by Alex Marchant and designed to raise funds for the Scoliosis Association UK.
One of my very few science fiction tales was published this year too – “Earworm Armageddon“, told from the PoV of a deaf protagonist, was picked up by Jay Henge publishing for Wavelengths.
Patreon and Duo Ex Machina
My most massive achievement this year – in term of words and time – was setting up my Patreon, through which I’ve re-edited and re-published my two M/M crime novellas, Fly By Night and Sacrifice.
These novellas were first published in 2004 by Homosapien Press. Now I’ve repackaged them as the Duo Ex Machina series, and the third (and brand new) novella, Number One Fan, is being published in fornightly chapters for my Patreon supporters. (Thanks guys!)
I also prepped a few reprinted stories and wrote a whole slew of fresh ones for the Scar Tissue and Other Stories collection for my Patreon supporters. (Thank you again – you guys are the best.)
My patrons received the book in November, and the official release (a co-production with Clan Destine Press) is scheduled for around February 2019, after a few delays pushed it back.
Then in March, the third Duo Ex Machina novella, Number One Fan, will finish its chapter-by-chapter run and be prepared for an ebook release.
Pipping that one at the post will be Grounded, a spec fic romance about two people who can’t fly in a world with wings. Escape Publishing has done a beautiful job of the cover and I’m excited to see this book released on 20 March!
Still to come
Of course, this only brings us to March. I’m sitting on an announcement for a short story that’s been accepted – when the anthology is officially announced I’ll send out the news first in my new newsletter, Mortal Whispers.
The first novel I’m working on for the year (now that Grounded is all edited and ready to go) is Kitty and Cadaver. I’m hoping for that to come out mid year in time for some SF conventions in June.
I plan to tackle the third in the Vampires of Melbourne series, which will coincide with a re-release of the first two books as ebooks with new covers.
I’ll also be working on the fourth Duo Ex Machina novella, Kiss and Cry from April onwards.
The second volume in Improbable Press’s 221b Series (the first was my own A Dream to Build A Kiss On) is the splended A Study in Velvet and Leather, due for release on 1 December 2018. An advance review copy was coaxed into my greedy little fingers, though, and promptly gobbled up.
K. Caine may have written a female Sherlock and male John in a canon-era setting, but her tale departs wonderfully far from a traditional telling of thie enduring pair.
John Watson, invalided war doctor, is gay. It’s a surprise to find Stamford’s flat-hunting friend is a woman, but she’s an unusual one. Sherlock is a consulting detective, dressing most often in men’s attire and (we later learn) a reader of Sappho. They move into Baker Street together.
John narrates their life together: his increasing involvement in Sherlock’s cases and John recovers his health, along with his fascination for Sherlock’s methods and curiosity about so much that remains secret and unsaid about Sherlock’s life. John also records his bemused yet growing devotion to his astonishing flatmate, recording but not always understanding Sherlock’s response to him.
But as John develops his surprised and secret feelings for this remarkable woman, an undercurrent from Sherlock’s unspoken private life breaks the surface. The case involves “the well known adventuress” Irene Adler, a compromising photograph, and a private club. The meaning of velvet, leather and many of Sherlock’s mysteries will come to light.
One of the many glories of this book – which include engaging characters, the gorgeous flow of the writing and an exploration of the fluidity than can exist in gender and sexuality – is how seamlessly K. Caine uses the 221b ficlet format to tell a single story.
The 16 chapters of the book are subtly separated into 221-word sections, the last word of each section beginning with ‘b’. This meets the rules of a 221b ficlet, yet is so smoothly done that the reader may not notice it, as the story’s rhythm moves so gracefully.
A Study in Velvet and Leather is one of those delicious books where you can’t decide whether to gulp it down in one go, or sip it slowly to make it last.
I’ve never been a sipper, though – and I was so involved in Sherlock and John’s adventures and feelings, so invested in them too – that I gulped that story down in a few hours one Saturday. The conclusion was both fantastically satisfying and left me yearning for more of these incarnations of Holmes and Watson.
A fabulous bonus to the whole story is the series of Appendices, in the form of notes between the two. I seriuosly can’t get enough of this fluid John and Sherlock. Additionally, the artwork by Avid Branks is sparing and elegant, and contains little clues of its own .
Which makes it doubly awesome that K. Caine is now writing another Improbable Press book with them, Conductivity.