Tag Archives: fantasy

Recommended Kickstarter: The Creature Court

It’s my week for writing about writers I love. Today it’s Tansy Rayner Roberts and her Creature Court series. Power and Majesty, The Shattered City and Reign of Beasts are a remarkable, richly realised, unpredictable and deeply satisfying dark fantasy trilogy about ancient battles, strange festivals, and shape shifters who can turn into one big beast or dozens of littler ones – with the bonus of really gorgeous frocks.

So imagine my delight to discover that the trilogy is being re-released, along with a brand new story! And imagine the delight doubled when I learned that the fabulously talented Kathleen Jennings would be providing art for the books!

If you’re already on board and can’t wait to support the project, go straight to Kickstarter and show your love.

If you want to know more about the books and the Kickstarter campaign, I asked Tansy Rayner Roberts a few questions.

Why have you decided to re-release the Creature Court series through a Kickstarter?

Kickstarter is still one of the best ways to crowdfund a substantial arts or publishing project if you have costs to be covered up front. After running the successful Mother of Invention campaign for Twelfth Planet Press last year I have confidence in my own ability to handle a more personal campaign. I knew I wanted to bring Creature Court back into print after I got the rights back last year, but doing it through Kickstarter means I can release them all at once, paying for fantastic new art and design.

You’ve mentioned the original three books and a fourth, new book, Cab aret of Monsters. Which books is the Kickstarter supporting?

The Kickstarter is for all four books. I decided to write a prequel novella set in the same world because I knew a lot of people who are close Tansy supporters (especially Australians) already have copies of the Creature Court trilogy on their shelves, and I haven’t revised the text substantially (though I have revised it). This way, there’s something new for people who have been buying my books all along!

You’re re-editing the books for the re-release. What does that entail? Why did you decide to do that?

It’s not so much a decision, to edit before a rerelease… I have been laying out the books myself and I am physically incapable of doing that without making a few changes here and there. Sometimes it’s word choice, or rephrasing. More commonly it’s basic proofing – I was particularly surprised how many errors had got through the final volume of the series as printed!

I haven’t made any huge changes though I did find an alarming inconsistency in the flashback/backstory timeline which took a little behind the scenes industrial engineering before I was happy with it. They’re still essentially the novels I wrote between 2004-2011.

How did Kathleen Jennings get involved with the project?

I asked her! Kathleen and I have known each other for a long time now, and I love her work so much. It’s been exciting seeing an Australian artist take on such big international projects. We have a similar attachment to historical aesthetics, so I knew I wanted her on board if I possibly could – and I’m so grateful she was able to make time in her schedule for me.

We’ve worked through a lot of ideas already, and I’m excited to see how the books turn out. One of Kathleen’s talents is extremely detailed silhouette art which she creates with cut paper. We also have a great cover designer, Cathy Larsen, who will be producing the typography with vintage fonts to get across the 1920’s feel that infuses the novels.

How is her art going to be used in the re-rereleases and the new, fourth book of the series?

Book covers primarily – four book covers in one year is a major commitment (it helps a lot when you can pay the artist, hence the Kickstarter) but it’s really exciting to have all of them designed at the same time, and allows us to have a real coherence across the covers.

The novella cover will be developed over the next month or so and then the trilogy later in the year. I also commissioned some pieces up front so I could show our backers the visual style that we were aiming for – hence the lovely flapper with sword banner on the main Kickstarter page, and the iconic Art Deco pin design which Kathleen produced.

Several of our rewards including postcards will be based on Kathleen’s art… and I’m really hoping we make our stretch goals so I can offer the beautiful enamel pin in a variety of colours.

If you could turn into an animal (or a whole lot of little ones) – what animal would it be?

My first instinct was to wonder what animal is most industrious. I’ll take ten of those! Though cats have a pretty great life. I could happily live out my years as a sleepy bed full of cats.

Get on board the Creature Court Kickstarter

(I’m supporting at the Come to the Cabaret level ‘cos I want all the Jennings art as well as the new book!)

Review: Faerie Apocalypse by Jason Franks

Have you ever wondered what’s going on in the mind of people who set about pursuing quests in the worlds of magic? Potential lovers seeking the fairest of them all; mages seeking further power; sons seeking fathers; daughters seeking vengeance; those seeking simple distraction and escape from their everyday lives.

Jason Franks has. And he doesn’t think very highly of them.

Faerie Apocalypse plays with the tropes of quests and fantasy violence. He twists the old storytelling standards of cycles-of-three, cunning humans outwitting faerie malevolance, all the same-old-same olds.

Franks isn’t afraid of being pretty damned gruesome with it, either. Many encounters end not merely with violence but with gore so extreme it’s less horrific and more a form of nihilism. If Shakespeare wrote Titus Andronicus in a spirit of ‘I’ll show YOU a revenge tragedy!’, Franks has said, ‘I’ll show YOU a tide of pointless butchery!’.

Except that it’s not pointless. The purpose, mostly hinted at throughout the brutal excapades of the mortals, the mage, the daughter of the warrior queen and the Bad Little Dog is very pointed, but it’s a spoiler to say what it is.

I loved how the inklings that supposed mortal questers aren’t as noble or heroic as they’re cracked up to be turn into certainties that they’re all pretty awful people with little regard for the consequences of their actions. Where they go, death follows, on a scale that humans in the mortal world have wrought with such horrific abandon.

The level of butchery is a bit much at times, but it’s a deliberate choice that is less gratuitous than it seems, by the time you reach the end and learn why. Though the hint is in the title. It is a faerie apocalypse, after all.

I’ll admit that I have a fonder spot in my heart for the wild and wickedly funny Bloody Waters , but it’s good to be reading Franks again and I’m looking forward to whatever comes next.

About Faerie Apocalypse.

Over the centuries the Faerie Realms have drifted away from the mortal world. But for some, the Doors will open. For some, there is a Way to travel there, if they want it badly enough.

If they dream it hard enough.

In this era, only lovers, poets, and madmen can access the Realms of the Land—and for good reason.

A succession of mortals travel to Faerie: a veteran seeking beauty; a magus seeking power; an urchin seeking his wayward father; an engineer seeking meaning. These mortals bring the horrors of our age to the Land, and the Folk who live there respond in kind.

Buy Faerie Apocalypse

Five Questions for Jason Franks

Today, Jason Franks answers five questions about his new book.

For our interview, Franks is wearing a pair of classic-cut Levis that are probably Costco fakes. His black t-shirt is frayed at the collar but the Black Sabbath logo looks crisp as if it had just been printed. He hasn’t shaved in a couple of days and his glasses are smudged. He has terrible posture and a very small head.

(Descriptions supplied by Jason Franks.)

Jason Franks

  1. What’s the name of your latest book – and how did you choose the title?

The book is called FAERIE APOCALYPSE. Originally it was going to be LOVERS, POETS AND MADMEN, which sums up the seed inspiration for the story, but does not give much of a clue as to what the book is about. So I went looking for some other options.

The book is set mostly in the fairy realms and deals with the nature of the place and the people who venture there, so FAERIE seemed like an obvious place to start.

I was reading about Cormac McCarthy’s Blood Meridian—a key influence on my book—and I came across the phrase ‘apocalyptic prose’. That immediately seemed to fit not just the style of my own work, but also the story. So there it was.

Faerie Apocalypse.

  1. If you could choose anyone from any time period, who would you cast as the leads in your latest book?

I have this one already sussed from IFWG and I were working out the cover art. In the end we opted not to show any characters on the cover, but here’s what I came up with. There are five leads, as follows:

  • The Veteran: Contemporary Christian Bale. Long hair, bearded, a bit haggard, a bit spaced-out.
  • The Magus: Contact-era long-haired, crazy-eyed Jake Busey.
  • The Warrior Queen: Carey Lowell circa 1990.
  • Malo: A teenaged Benicio Del Toro.
  • The Engineer: A CGI rendering of a youngish lady, designed not to stand out in a crowd. A bit pixilated and well inside the Uncanny Valley.
  1. What five words best describe your story?

Dense, circuitous, violent, occulted, and reflexive.

  1. What faerie creature would you most like to meet – or be?

Out of all the creatures in the book I’d most like to meet the Queen of the Ore-lands. She wouldn’t have much time for me, but she’s also less likely to try to trick, murder or eat me than any of the other characters.

  1. What song reflects a theme, character or scene in your book?

The book references a number of songs quite explicitly. There’s a couple of Hendrix songs that flag key plot points. One of the monsters is a Blue Oyster Cult song given flesh. But the last part of the story is called Black Wings, after the Tom Waits song, and I think that perfectly sums it all up.

If you want a second helping, try Earth Died Screaming, also from the Bone Machine album:

About Faerie Apocalypse.

Over the centuries the Faerie Realms have drifted away from the mortal world. But for some, the Doors will open. For some, there is a Way to travel there, if they want it badly enough.

If they dream it hard enough.

In this era, only lovers, poets, and madmen can access the Realms of the Land—and for good reason.

A succession of mortals travel to Faerie: a veteran seeking beauty; a magus seeking power; an urchin seeking his wayward father; an engineer seeking meaning. These mortals bring the horrors of our age to the Land, and the Folk who live there respond in kind.

About Jason Franks

Jason Franks is the author of the novel Bloody Waters, the Sixsmiths graphic novels, and the Left Hand Path comic series. His work has been short-listed for Aurealis and Ledger Awards. He lives in Melbourne, Australia, where he is widely known as a person of low character and wicked intent.

Follow Jason

Buy Faerie Apocalypse

 

News: Horror story sale to Jay Henge

I’m delighted to announce that my short horror story, “Passive Aggressive”, has been accepted for Jay Henge’s next anthology, Myths, Monsters, Muations.

I’ve also had a science fiction story accepted for their following anthology, Wavelengths, though the cover isn’t yet available for that one.

Jay Henge creates entertaining themed anthologies. I have works in two other anthologies – “Death’s Door” in Intrepid Horizons about a young poet’s odd relationship with the Grim Reaper, and “Show and Tell” in Encounters – where it’s a possessed mummy hand versus Class 1B and the odds are pretty even.

I’m not sure yet of the release date for Myths, Monsters, Mutations, but in the meantime you can find these other JayHenge anthologies: