Category Archives: Romance

Cover Reveal: Grounded

I revealed this cover a week ago to my Patreon supporters, and a few days later to my newsletter subscribers. Now for my blog readers – ta-da!

This is the gorgeous cover for my upcoming spec fic romance, Grounded, featuring Benedick Sasaki, one of the story’s love interests.

The blurb

In a world where flight is life, will two grounded people find other ways to fly?

When Benedick Sasaki’s wings are wounded in the line of duty, the former policeman doesn’t know if he has a place in a world where he can no longer fly.

Then he meets Clementine Torres, an artist born without wings and a vocal advocate for the flightless who has been subjected to recent hate mail and vandalism ahead of her new exhibition. As Clementine starts to teach Benedick new ways to appreciate the world on the ground, the threats against her art and possibly her life begin to escalate.

To survive, they will need to teach each other that not all beauty is in the air, and that both of them can soar without wings…

The edits have all been completed (my editor was a treat to work with!) and everything is set for Clem and Benedick’s story to come out on 20 March 2019 in ebook form.

Grounded is already available for pre-order at the following sites:

Quintette of Questions: K. Caine

Today I ask five questions of Holmesian romance writer, K. Caine:

K. Caine

1. What’s the name of your latest book – and how did you choose the title?

The title is A Study in Velvet and Leather– and surprisingly, this is one of the titles that I agonised over the least! The perfect title, for me, is evocative and visual, preferably has more than one meaning, and fits the style of the piece.

Because I was writing canon-era Sherlock for this work, I wanted a title that would evoke that genre. I was re-reading A Study in Scarlet at the time, trying to sink back into the wonder that is moving in with Sherlock Holmes—so that solidified the first half of the title. From there, it was mostly about picking words that were symbolic of the story.

Velvet and leather are two fabrics that represent the two prominent female characters in the book, so A Study in Velvet and Leather it was!

2. If you could choose anyone from any time period, who would you cast as the leads in your latest book?

I didn’t need to think hard about the answers for this one—I already had my reference images downloaded! It’s definitely Tom Hardy for John Watson, with the same quiet feminism that he displayed in Mad Max: Fury Road. He’s got the right build for John, and it’s all too easy to imagine him with the moustache and the period clothing just quietly listening, watching Sherlock and trying to keep up.

And then Tilda Swinton would be my Sherlock Holmes—she’s got the sharp cheekbones, the piercing eyes, and the tendency to menswear that Sherlock shares, and there’s something about the intensity of her presence that’s both really unusual for women, and also very, very fitting for Sherlock as a character.

3. What five words best describe your story?

“Man in love, doesn’t realize.”

4. Who is your favourite fictional couple or team?

The gang from Leverage are everything that a team should be—the entire series is a showcase of exactly how good a found family can be, right from the very first episode. Throughout the series, we get to witness a group of different people with different interests—and sometimes, entirely different plans as to how to go about something—figure out how to work with each other instead of against each other, and how to support each other through tough jobs and the stresses and traumas from life having not been that particularly kind.

That’s the kind of thing I look for in my team or couple dynamics—mutual support, snark and wit, and the gradual developing belief that your team is always going to do their best to have your back, no matter what you’re going through, and even if you aren’t your best self at the time.

5. What song always makes you cry?

Hands down, it’s La Dispute’s Woman (reading). The song is evocative of the wistfulness that marks the majority of the book—that sense that you can be physically close to someone (even, dare I say it, roommates) and still feel as though you are continents apart, and the other person is forever out of your reach.

See the lyrics here.

About A Study in Velvet and Leather

Sharing a flat with Sherlock Holmes should not have posed a problem for John Watson–after all, Watson is gay, Holmes is a woman, and the arrangement is financially convenient. But when Holmes takes a complex case involving Irene Adler and a scandalous photograph, she turns to Watson for assistance.

The case leads them everywhere from the opera to a secret Victorian BDSM club, and Watson soon finds himself questioning his partnership with Holmes, his sexuality, and his understanding of himself.

About K. Caine

K. Caine is a queer writer from the Canadian prairies whose work encompasses multiple genres, including romance, erotica, horror, and speculative fiction. After having taken a decade-long break from writing entirely, K. Caine is back, and is completely engrossed in creating stories characterized by deep points of view, high emotional stakes, and layered foreshadowing.

Armed with a psychology degree, and more stories about glitter in strange places than are really necessary, K. Caine brings themes of feminism, sexuality, gender, non-traditional relationships, and mental illness into stories. A Study in Velvet and Leather is K. Caine’s first published book.

Caine has wild and varied ideas about what comes next, but is currently procrastinating on Twitter.

Buy A Study in Velvet and Leather

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Review: A Study in Velvet and Leather by K. Caine

The second volume in Improbable Press’s 221b Series (the first was my own A Dream to Build A Kiss On) is the splended A Study in Velvet and Leather, due for release on 1 December 2018. An advance review copy was coaxed into my greedy little fingers, though, and promptly gobbled up.

K. Caine may have written a female Sherlock and male John in a canon-era setting, but  her tale departs wonderfully far from a traditional telling of thie enduring pair.

John Watson, invalided war doctor, is gay. It’s a surprise to find Stamford’s flat-hunting friend is a woman, but she’s an unusual one. Sherlock is a consulting detective, dressing most often in men’s attire and (we later learn) a reader of Sappho. They move into Baker Street together.

John narrates their life together: his increasing involvement in Sherlock’s cases and John recovers his health, along with his fascination for Sherlock’s methods and curiosity about so much that remains secret and unsaid about Sherlock’s life. John also records his bemused yet growing devotion to his astonishing flatmate, recording but not always understanding Sherlock’s response to him.

But as John develops his surprised and secret feelings for this remarkable woman, an undercurrent from Sherlock’s unspoken private life breaks the surface. The case involves “the well known adventuress” Irene Adler, a compromising photograph, and a private club. The meaning of velvet, leather and many of Sherlock’s mysteries will come to light.

One of the many glories of this book – which include engaging characters, the gorgeous flow of the writing and an exploration of the fluidity than can exist in gender and sexuality – is how seamlessly K. Caine uses the 221b ficlet format to tell a single story.

The 16 chapters of the book are subtly separated into 221-word sections, the last word of each section beginning with ‘b’.  This meets the rules of a 221b ficlet, yet is so smoothly done that the reader may not notice it, as the story’s rhythm moves so gracefully.

A Study in Velvet and Leather is one of those delicious books where you can’t decide whether to gulp it down in one go, or sip it slowly to make it last.

I’ve never been a sipper, though – and I was so involved in Sherlock and John’s adventures and feelings, so invested in them too – that I gulped that story down in a few hours one Saturday. The conclusion was both fantastically satisfying and left me yearning for more of these incarnations of Holmes and Watson.

A fabulous bonus to the whole story is the series of Appendices, in the form of notes between the two. I seriuosly can’t get enough of this fluid John and Sherlock. Additionally, the artwork by Avid Branks is sparing and elegant, and contains little clues of its own .

Which makes it doubly awesome that K. Caine is now writing another Improbable Press book with them, Conductivity.

I can’t wait.

Add A Study in Velvet and Leather to your Goodreads list!

Pre-order A Study in Velvet and Leather:

Grounded: available for pre-order!

I am delighted to announce my next romance novel, Grounded, is coming out on 20 March 2019 through Escape Publishing.

“In a world where wings give everyone the freedom to fly, an artist born wingless uses her art to show the winged world the wonder of the ground. But when she meets a recently injured police officer who finds himself grounded, they will both learn that there is more than one way to soar.”

A cover (as well as the edits) are yet to come, but I really love how this story came together, and all the world-building that was necessary for a world in which most people have wings. How do chairs work in that instance? How do clothes work? How do winged bodies work? What metaphors do they use in language?

What challenges are faced by people who can’t fly?

Huge thanks to those who read the novella version of it, especially Julia Svagonovic for her insights, and Heather Edwards for her feedback.

As a taster, here’s an (as yet unedited) excerpt:

“Tell me a story,” Clementine said as she sat in a chair opposite him, “Something true.” She used the terracotta chalk first to dash down the shape of his chest, shoulders and legs. She smudged chalk behind and in front of the outlines, filling in his wings and kilt.

“When I was about eight years old, I tried to convince Peri that I knew the secret route to Arcadia. He was six and very gullible. I warn you, this story does not cover me in glory.”

Clementine worked chalk into the sketch she was making with her fingers, adding darker charcoal lines to the details. “Oooh, a wicked tale. Go on.”

“So I led the way down to the back yard, and he followed, trusting as a duckling, until we reached the fenceline. Our wings were still growing in of course, so we couldn’t fly far, but we could fly up and over a fence without too much difficulty.”

“Should I take comfort from the fact that I already know you both survive this escapade?”

“You should. Because I flew up first and held my hand out to help him to the top of the fence. And he made it up there just fine. He was a nimble little kid. Whereas I was more…”

“Onigiri-shaped?”

Benedick laughed, his mouth dimpling in that delightful way she was rapidly growing to love. “A little ball of mischief. The thing is, I was getting him back for getting into my room on the weekend and defacing all my Kambera Wall-ball Club posters with bright red marker pen.”

“Unforgivable!”

“Exactly so. I had a keenly developed sense of justice even then. So I took him to the top of the fence by telling him the way to Arcadia was through our neighbour’s garden.”

“When does the inglorious bit start?” Clementine took up the inkpot and brush and began to add glistening lines to the chalk study, more strongly defining Benedick’s dark hair, the shape of his exposed leg, the drape of the kilt. A few strategic dabs and lines gave expression to his face. Dark eyes and dimples.

“So down he went first into Mr Whitley’s yard and I started shouting directions for him to follow the path.”

“Wasn’t he suspicious?”

“Of course he was. He was six, not an idiot. But hope won over doubt, of course. Mum read the Lady Arcadia books to us every night and we loved them. Wouldn’t you risk fraternal humiliation on the off-chance of finding the passage through?”

“Absolutely.”

“So he followed my directions down the path towards Mr Whitley’s vegetable garden, which was hedged in laurel that grew taller than our Dad. The idea was that Peri would have to squeeze in between two laurel trees and of course instead of finding the passage, he’d be in grumpy Mr Whitely’s vege patch. With luck, Peri would get stuck between the trees, get caught by Mr W and shouted at, and possibly chased with a leaf rake.”

“What a mean big brother you were.”

“It was just desserts. But I made two key errors in coming up with my strategy.”

“Let me guess. Peri was skinnier than your chubby little boy self, and he didn’t get stuck in the laurels.”

“I applaud your intelligent analysis of this whole debacle. Yes. Bento Sasaki, Stealer of Baby Carrots and Summer’s First Strawberries, had been caught in the laurels and endured a lecture on respecting other people’s gardens only the week before. Secondly, and more relevant to this sorry story of bad intent and even worse planning, is that Mr Whitely had just that week bought himself a dog.”

“Oh dear.”

“That doesn’t begin to cover it. I’m at the top of the fence, watching Peri disappear into the laurel hedge and waiting for the show to begin, when all of a sudden I hear this blood curdling baying, and Peri pops out of the greenery running like a lizard from a cat. His wings are flapping away so he keeps rising a few feet then stumbling down again, because he can’t get coordinated, and he’s not looking behind him at what sounds like an Arcadia Hellfire Hound on his heels. But I can see this dog, and it’s taller than Peri and looks like he wants to bite little boys in half.”

“What did you do?”

“What any self-respecting, justice-seeking big brother would do. I screamed at him to run faster before the Arcadia Hellfire Hound ate him, my wings flapping so hard I was hovering above the fence. I was terrified, but no way in Hades was going to jump down there and get eaten myself.”

Clementine was aware that this picture of Benedick languidly reclining on her sofa was at serious odds with the spark in his eyes and the way his wings fluttered in memory of that energetic prank.

“Did the dog get him?”

“I thought it would. It was baying and running, and Peri was running and flapping and screaming, and at the last minute he reached up to me, and I reached down to pull him up, and he flapped so hard he flew right up over my head and into our yard. Which was great for Peri.”

“And for you?”

“I went arse over pinion and landed flat on my back on the dog side of the dividing line.”

“Oh no!”

“Oh yes! The dog looms into my face, panting and howling, and on the other side of the fence Peri is screaming blue murder, and all the adults come running expecting to find me with my head split open and brains all over the pavement. And what they found was their onigiri kid on his back in the dirt being straddled by a huge, friendly and overly eager dog licking me from collarbone to eartip and wagging his tail so hard it’s making thwap thwap thwap noises on the fence.”

“Oh, poor little Bento!”

“Poor little Bento is right. I cut my arm on a stone when I fell and all I knew was that my arm was bleeding and a giant dog was eating me alive. I still have the scar.”

Clementine put the picture and inkbrush aside and dutifully went to examine the elbow he was presenting her with a soulful moue on his lips to demonstrate the woe of this bygone injury. She took his arm in her hands and tutted over the tiny white scar in his golden skin.

“That’s terrible. You might have died from your colossal injuries.”

“Yeah.”

And suddenly he was sober and they weren’t talking about a tumble from a fence when he was eight years old any more.

Clementine pressed a kiss to the tiny scar anyway.

“I’m so glad you didn’t,” she said, kissing the insignificant scar again, ignoring the deeper, worse ones that were hidden beneath the regrowth of his right wing. “I’m so glad you’re here with me.”

Grounded will be released as an ebook, and is already listed as available for pre-order at the following sites:

Grounded



Escape has previously published my erotic short story, Sky High, Bone Deep (writing as N.M. Harris)